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“AI YoungBoy,” his latest mixtape, which he released this month, is his best so far. You can see it in a recent interview with Mass Appeal in which he talked about the violence in Baton Rouge, and its awful gravitational pull: “It’s either jail or death, like, literally. With YoungBoy Never Broke Again, the heaviness is visible in his eyes.
But perhaps given hip-hop’s increasing malleability, its serious, reflective, streetwise arm is primed for a return. It’s an approach long out of vogue, not dominant since the late 1980s into the mid-1990s, the days of Scarface, Tupac Shakur, Kool G Rap and more. He’s a clinical realist, sober and unfussy. In this climate, the path chosen by the impressive young Baton Rouge, La., rapper YoungBoy Never Broke Again feels almost nostalgic. Lately, at the other end, have come the rowdy genre-bashing eccentrics, who’ve rebaptized the genre as punk, psychedelia or both.
On one end, you have the melodic sensualists - Drake and post-Drake - who baked in the songwriting and emotion of R&B and pop to make hip-hop a globally accessible force. Over the past few years, hip-hop has been swinging from one pole to the other.
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